![]() ![]() But he needs to cut costs, so he wants to sublease some of Channel 2's 90,000 square feet. ![]() The trophy is Channel 2's office and studio space at the northeast corner of Dearborn and Washington, the only finished part of the Loop's Block 37 project.Ĭohen said he's committed to keeping Channel 2 in the building and honoring its long-term lease. Station needs to cut costs, so it's trying to sublease some Block 37 space, including street-level studioīruno Cohen, general manager of WBBM-Channel 2, has a corporate trophy that he didn't want and would rather not pay for now that advertising revenue is in a steep decline. Thanks for sharing your insider experience, though. Excerpted from Here's the Deal (The Making and Breaking of a Great American City), Ross Miller. "Snugly fit on two blocks of old State Street was a relocated piece of the suburban dream." Rubloff's ideal urban place was a perfect hybrid with no identity of its own. Malls multiplied retail square footage the way skyscrapers intensified premium office space-requiring many more users than even the largest single-store facilities-and combined urban density with suburban control, the security of the locked space. "Rubloff's recent experience in development was limited to the California shopping centers he was building with Alfred Taubman.He wanted Taubman more for his contacts with large users of space, such as department stores and hotels, than for his technical experience as a developer. On Blocks 36 and 37, he had plans for a retail mall and public library and a hotel for Block 16.A library in a mall was a wacky combination for anybody except Rubloff, whose idea of literature was a Christmas catalog from a Bond Street haberdasher. "Recognizing there was to be no resistance, he immediately honed in on three blocks on State Street between Washington and Wacker. The final product we are getting resembles a lot the long-lost dream Arthur Rubloff had for the block back in the early 1970s: I don't recall reading that the first time you posted would you happen to know approximately when this was? I'd certainly like to read more about it. The whole arcade, of course, later bit the dust in the effort to maximize rentable square feet and pandering to every potential tenant at all costs.Īlthough I feel somewhat vindicated now (after all, Ahern was canned), it sorta feels like a tree falling in the forest. Ahern was convinced it seemed that the images he was going to get were going to be large, enthusiastic crowds (on one of the narrower sidewalks downtown) overlooking the landmark Picasso and plaza (despite the busses, trucks, trees, etc.). It ended up being just another example of Mills threatening to fire us. The size of the studio was significantly impacting the arcade and I strongly suggested they consider raising the studio higher and maybe even cantilevering a portion into the overscaled arcade. I was particularly concerned because at the time I was still maintaining a diagonal Milan Arcade-like urban passage connecting visually and physically State Street to Daley Plaza just south of ComEd. Staying warm, with the classic Dailey center in the background.įor those that are interested, I posted a long description of the design process with Mills and the city a few months ago.what is interesting about the studio is that when CBS first showed up (Joe Ahern) they absolutely insisted that the studio go in that spot and were unwilling to consider any other. Watching the inaugaration coverage while passing out free coffee and cheescake. Technically in Daley plaza B-37 defines the eastern end, and the 1/3 completed big screen dominates the dark plaza. Today was winter bike to work day, free coffe & Cheescake ( Caribou (), and Eli's ()).
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